|
|
Impact of reading on vocabulary, text comprehension and fancy of protagonists on children of pre-school age
Marklová, Tereza ; Laufková, Veronika (advisor) ; Mocná, Dagmar (referee)
This thesis is concerned with the impact of reading on vocabulary, text comprehension and fancy of protagonists on pre-school children aged 3 to 6. The purpose of the research part of the thesis is to find out to which extend reading impacts on vocabulary, text comprehension and fancy of protagonists of pre-school children aged 3 to 6. First hypothesis expects that during the one-month project children who are exposed the most to reading and working with a book are going to make the biggest progress in text comprehension and vocabulary. Other two hypotheses try to prove that older children are going to have better results than the youngest research participants at the beginning and the end of the project. Third hypothesis then adds that the youngest, 3 years old, children are going to improve significantly only in the questions that are repeated and that it is due to memorizing, not comprehension. Last hypothesis claims that children most involved in reading are going to take to new favourite characters. The theoretical part describes the development of a child since childbirth to 6 years, with an accentuation on the period between 3 and 6 years of age and analysis of fairy-tale as both a genre of literature and an instrument of child's development stimulation. The practical part of the thesis is a...
|
|
| |
|
| |
|
|
Comparison of Hana Bělohradská's prose Bez krásy, bez límce to its film adaptation by Zbyněk Brynych.
STARÁ, Markéta
The aim of this thesis is to provide a comparison between the novella Bez krásy, bez límce (1962) by Hana Bělohradská and its film adaptation a pátý jezdec je Strach (And the Fifth Rider Is Fear) directed by Zbyněk Brynych. It focuses on the phenomena of time, space, mainly on the space of house and room, and characters. The analysis is based on the methodological concepts by Daniela Hodrová, Gaston Bachelard, Paul Ricoeur and Mikhail Mikhailovich Bachtin. The concluding comparison is drawn from the theoretical literary aspects such as time, space, characters as well as the following interpretation of the prosaic piece of art.
|
|
|
Woman characters in I. A. Goncharov's works
Slobodová, Dana ; Nykl, Hanuš (advisor) ; Kosáková, Hana (referee)
This paper focuses on the main woman characters in the novels of I. A. Goncharov A Common story, Oblomov and The Precipice. The aim is to analyze relationships between their heroines and other characters and to examine how these relationships subsequently form them. It shows that the attention payed to these processes is at least the same as the attention payed to the male characters (who are formally the main protagonists of the novels) and that they are in no way less interesting. We can also notice apparently repeated schemes, however, in each case they are modified in some way. The author always comes with a slightly different, new approach and thus we can say that although they may look similar from the outside, each Gontcharov's heroine is as unique as the setting which forms her. Keywords: literary characters, woman characters, classical Russian literature, Ivan Goncharov, A Common story, Oblomov, The Precipice
|
|
| |
|
|
Czech drama
Lehečková, Hana ; JANOUŠEK, Pavel (advisor) ; VEDRAL, Jan (referee)
This master's thesis deals with a drama character as a component of theatre and literature system. On grounds of analysis of the drama character in contemporary Czech drama is trying to assume how drama character works in general and what is special about it in the 20. and 21. century.
|
|
|
Italo Svevo's Novels
ČECHOVÁ, Hana
The main subject of this bachelor thesis is the analysis of three novels written by Italo Svevo. First chapter presents briefly the author and the city of Terst which had an impact on his poetics. The following chapters analyses successively the novels Una vita, Senilita and La coscienza di Zeno. Especially emphasized are the typical protagonist called inetto and his changes within the framework of these novels. Mentioned are also the role of a woman, the contrast between inetto and the antagonist and some others, for Svevo typical motives. Separated chapter is dedicated to the so called literary silence of Italo Svevo.
|
guest ::
